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Eyal Assulin regards the machines he creates as a physical extension of his body. It is a spider-like creature standing on the wall, with an electric breaker-hammer at its center. Every few minutes the hammer begins to pound into the wall, as if it were trying to break its way out. Within a short while the creature becomes aggressive and noisy, in sharp contrast to its still condition. It is a creature devoid of refinement, whose sole goal is to breach the boundaries of the exhibition space.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

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Eyal Assulin regards the machines he creates as a physical extension of his body. It is a spider-like creature standing on the wall, with an electric breaker-hammer at its center. Every few minutes the hammer begins to pound into the wall, as if it were trying to break its way out. Within a short while the creature becomes aggressive and noisy, in sharp contrast to its still condition. It is a creature devoid of refinement, whose sole goal is to breach the boundaries of the exhibition space.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Eva Birkenstock
Subjective Narratives
Meal // Feeding
Carmel Pomerantz
Eyal Gross
Itamar Mann
Michal Givoni
Thalia Hoffman
Tziki Cohen
Yoav Kenny
Yofi Tirosh
Yonatan Mendel
Conference: Education and Art in the Public Sphere
The Mobile Archive @ steirischer herbst