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In the work “Compressed Ceramic Powder” (The Battle in the Orchard), Amir Yatziv documented a group of Israeli soldiers describing their last moments in the fight, just before their own deaths. This is the ultimate soldier fantasy: dying in a battle, becoming a hero and finally being interviewed about it. But in this fight they use bullets made of compressed ceramic powder (to simulate) instead of real ones. The work creates a hyperreality in which soldiers can describe their own deaths, and shape the myth of their bravery according to a well known model shaped by the myth of self-sacrifice that is at the core of Israeli narrative. The soldiers telling the happenings of their own deaths allows for a new, improved version of this myth, given from a first-hand witness.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Compressed Ceramic Powder

In the work “Compressed Ceramic Powder” (The Battle in the Orchard), Amir Yatziv documented a group of Israeli soldiers describing their last moments in the fight, just before their own deaths. This is the ultimate soldier fantasy: dying in a battle, becoming a hero and finally being interviewed about it. But in this fight they use bullets made of compressed ceramic powder (to simulate) instead of real ones. The work creates a hyperreality in which soldiers can describe their own deaths, and shape the myth of their bravery according to a well known model shaped by the myth of self-sacrifice that is at the core of Israeli narrative. The soldiers telling the happenings of their own deaths allows for a new, improved version of this myth, given from a first-hand witness.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis