Šejla Kamerić’s video work, Dream House, shows a refugee camp building in the vicinity of Sarajevo transposed against changing landscapes seeming to fulfil a hopeful dream of a future change of locality. This place that represents both transit and inertia finds itself in movement and separates itself out of its original surroundings and situation. With national identity as a construction, Šejla Kamerić also deals with the conflicts arising out of belonging to an amorphous crowd of the so-called ’other’ and the possibility of escaping into a personal dream world.
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