Filipa César filmed people at metro and train stations. Cleverly cut to create outlines of relationships between strangers who exchange glances, some motivated by curiosity and attraction, others by a feeling of unease generated by the fact of being observed.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Filipa César filmed people at metro and train stations. Cleverly cut to create outlines of relationships between strangers who exchange glances, some motivated by curiosity and attraction, others by a feeling of unease generated by the fact of being observed.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
