In Israeli Tamar Yarom’s film, To See if I’m Smiling, a harsh picture arises from the testimonies of six female ex-soldiers, who describe their intoxication with power and lack of differentiation between good and bad during their military service, includinghaving their pictures taken with the bodies of Palestinian interogees who had been tortured. The film consists of a set of interviews with women who served in the Occupied Territories. Several years after their service they look back at their military past which haunts them, trying to confront the civilian reality in relation to the time they had served as soldiers. The monologues of the film’s six protagonists indicate distress, suffering, and guilt feelings. It is incomprehensible how they could have been so easily pulled into a world of wrongdoing and acts of violence perpetrated by soldiers against citizens and detainees; why they agreed to collaborate, to be a part of the system of silencing which kept the squadron’s secrets?
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
In Israeli Tamar Yarom’s film, To See if I’m Smiling, a harsh picture arises from the testimonies of six female ex-soldiers, who describe their intoxication with power and lack of differentiation between good and bad during their military service, includinghaving their pictures taken with the bodies of Palestinian interogees who had been tortured. The film consists of a set of interviews with women who served in the Occupied Territories. Several years after their service they look back at their military past which haunts them, trying to confront the civilian reality in relation to the time they had served as soldiers. The monologues of the film’s six protagonists indicate distress, suffering, and guilt feelings. It is incomprehensible how they could have been so easily pulled into a world of wrongdoing and acts of violence perpetrated by soldiers against citizens and detainees; why they agreed to collaborate, to be a part of the system of silencing which kept the squadron’s secrets?
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis