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Eyal Eithcowich, director of the film Enraged, follows the story of four members of the activist group “Anarchists against the Wall” through their struggle. The group’s activity has met with harsh oppression by the State. Hundreds of Palestinians and scores of Israelis and foreign nationals have been injured, and hundreds of arrests have led to dozens of indictments. Nevertheless, the group continues its activity, refusing to forgo the message of refusal to be enemies and the partnership in a popular struggle against the Occupation. The film depicts the group’s activity and the violence in the Occupied Territories; a horror vision in which soldiers, settlers, leftist activists, and local Arab citizens all take part. Eithcowich lets the images, which are often powerful and elusive (especially the depictions of confrontations during demonstrations), speak for themselves, rarely intervening

Exhibitions & Projects
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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Enraged

Eyal Eithcowich, director of the film Enraged, follows the story of four members of the activist group “Anarchists against the Wall” through their struggle. The group’s activity has met with harsh oppression by the State. Hundreds of Palestinians and scores of Israelis and foreign nationals have been injured, and hundreds of arrests have led to dozens of indictments. Nevertheless, the group continues its activity, refusing to forgo the message of refusal to be enemies and the partnership in a popular struggle against the Occupation. The film depicts the group’s activity and the violence in the Occupied Territories; a horror vision in which soldiers, settlers, leftist activists, and local Arab citizens all take part. Eithcowich lets the images, which are often powerful and elusive (especially the depictions of confrontations during demonstrations), speak for themselves, rarely intervening

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis