In 2002 the Israeli government established the Immigration Administration, now better known as the “Oz Unit.”The Administration was allotted a considerable budget, field units, and motor vehicles. Labor migrants call the unit “Fifty Two Fifty” since the Unit’s cars’ license plates always begin with 52 and end with 50. Uri Bar-On, director of 52/50, decided to focus on the violence perpetrated by the Oz Unit policemen during their operations to capture illegal labor migrants. For the production of the film Bar-On harnessed students from the Department of Film and Television at Tel Aviv University, and purchased several video cameras. He set up a call center to collect reports about police raids, and transfer the information to the film crews on site. Days and nights Bar-On went with student teams to follow the activities of the Immigration Police. His film crews documented Oz Unit raids on apartments and mobile homes in which migrants live, as well as their arrests on the street. They documented the immigrants’ stories about the policemen’s violence towards them. The film shows, among other things, how the Immigration Police often detain foreign nationals and harasses them merely because of their foreign appearances. This was the case with a doctor in the Tel Aviv Sourasky Medical Center who was arrested together with an Israeli who tried to protect her from the violence of the Unit’s cops.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
In 2002 the Israeli government established the Immigration Administration, now better known as the “Oz Unit.”The Administration was allotted a considerable budget, field units, and motor vehicles. Labor migrants call the unit “Fifty Two Fifty” since the Unit’s cars’ license plates always begin with 52 and end with 50. Uri Bar-On, director of 52/50, decided to focus on the violence perpetrated by the Oz Unit policemen during their operations to capture illegal labor migrants. For the production of the film Bar-On harnessed students from the Department of Film and Television at Tel Aviv University, and purchased several video cameras. He set up a call center to collect reports about police raids, and transfer the information to the film crews on site. Days and nights Bar-On went with student teams to follow the activities of the Immigration Police. His film crews documented Oz Unit raids on apartments and mobile homes in which migrants live, as well as their arrests on the street. They documented the immigrants’ stories about the policemen’s violence towards them. The film shows, among other things, how the Immigration Police often detain foreign nationals and harasses them merely because of their foreign appearances. This was the case with a doctor in the Tel Aviv Sourasky Medical Center who was arrested together with an Israeli who tried to protect her from the violence of the Unit’s cops.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis