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Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.

 

 

Cinematography by: Johan Phillips & Henry Moore Selder

Sound by: Mario Adamsson

Photographer: Johanna Löwenhamn

 

 

Exhibitions & Projects
Archives

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Project for a Revolution

Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.

 

 

Cinematography by: Johan Phillips & Henry Moore Selder

Sound by: Mario Adamsson

Photographer: Johanna Löwenhamn

 

 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis