Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.
Cinematography by: Johan Phillips & Henry Moore Selder
Sound by: Mario Adamsson
Photographer: Johanna Löwenhamn
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.
Cinematography by: Johan Phillips & Henry Moore Selder
Sound by: Mario Adamsson
Photographer: Johanna Löwenhamn
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis