Guy Bar Amotz’s The Clock 9:06 explores the tension between acceleration and deceleration. The clock is frilled into the wall with an electric drill which rotates in high speed, engraving a clock in the wall that becomes a static icon of frozen time. The act of drilling exposes the paint layers on the wall, confronting the spectator with a different time, the geologiacal time of the building.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Guy Bar Amotz’s The Clock 9:06 explores the tension between acceleration and deceleration. The clock is frilled into the wall with an electric drill which rotates in high speed, engraving a clock in the wall that becomes a static icon of frozen time. The act of drilling exposes the paint layers on the wall, confronting the spectator with a different time, the geologiacal time of the building.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
