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In January 2009 in the midst of "Operation Cast Lead" and the bombings on Gaza by the Israeli Air Force, I visited the Kibbutz where I grew up. I went to the place where we used to play in the forest, as children. I went to the "oceans"… The oceans is the name we gave the little rain puddles that filled up every winter in the forest overlooking Jezreel Valley. Inside these oceans the forest, in all its celestial beauty, reflects, to create an astonishing sight. Standing there, that January afternoon, I saw the forest shaking to the sound of Air Force bombers headed for the war. The deep contradiction between the beauty of that magical afternoon and the sounds of war in the background put me in a state of shock. The brutal sights of war flickering on the television screen seemed to unite with the shivering reflections of the forest in the oceans. The white phosphorus shells, the valley, and sights of a childhood long gone, all shimmer in the oceans. The oceans of cast lead. About the installation: In a dark room scattered ruins lie. Shattered walls and personal artifacts are found between the relics. A TV set keeps running long after the house was blown to bits. The image is shown to the viewer's eye through a reflection in a broken mirror. This is where the magical and innocent childhood memories mix with the monstrosity of war.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Oceans of Lead

In January 2009 in the midst of "Operation Cast Lead" and the bombings on Gaza by the Israeli Air Force, I visited the Kibbutz where I grew up. I went to the place where we used to play in the forest, as children. I went to the "oceans"… The oceans is the name we gave the little rain puddles that filled up every winter in the forest overlooking Jezreel Valley. Inside these oceans the forest, in all its celestial beauty, reflects, to create an astonishing sight. Standing there, that January afternoon, I saw the forest shaking to the sound of Air Force bombers headed for the war. The deep contradiction between the beauty of that magical afternoon and the sounds of war in the background put me in a state of shock. The brutal sights of war flickering on the television screen seemed to unite with the shivering reflections of the forest in the oceans. The white phosphorus shells, the valley, and sights of a childhood long gone, all shimmer in the oceans. The oceans of cast lead. About the installation: In a dark room scattered ruins lie. Shattered walls and personal artifacts are found between the relics. A TV set keeps running long after the house was blown to bits. The image is shown to the viewer's eye through a reflection in a broken mirror. This is where the magical and innocent childhood memories mix with the monstrosity of war.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis