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Karen Russo’s Benevolence revolves around the figure of the "schemer" (played by the artist) who sets traps for innocent figures, such as children, the elderly and the helpless, thus violating a social taboo. The encounter between the satanic figure of the "schemer" and these people generates a crisis, providing a catalyst that triggers a process of deterioration. It is an encounter characterized by destructive giving, where the one ties a rope around other’s neck. Among other things, this work challenges the prevalent view of the artist as a moral person, highlighting the artist’s manipulative, malicious, criminal facet. This video describes the creative process as a winding road that in a distorted way strives for a harmonious end. It offers a dual perception where good and evil are intertwined, defining one another and mutually inseparable. It does so by presenting the artist as a hangman, executing a divine decree.

 

Exhibitions & Projects
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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Benevolence

Karen Russo’s Benevolence revolves around the figure of the "schemer" (played by the artist) who sets traps for innocent figures, such as children, the elderly and the helpless, thus violating a social taboo. The encounter between the satanic figure of the "schemer" and these people generates a crisis, providing a catalyst that triggers a process of deterioration. It is an encounter characterized by destructive giving, where the one ties a rope around other’s neck. Among other things, this work challenges the prevalent view of the artist as a moral person, highlighting the artist’s manipulative, malicious, criminal facet. This video describes the creative process as a winding road that in a distorted way strives for a harmonious end. It offers a dual perception where good and evil are intertwined, defining one another and mutually inseparable. It does so by presenting the artist as a hangman, executing a divine decree.

 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis