Mues deals with both collective and individual identity, through a body of animations based on self-identikits pictures and excerpts of interviews, gathered from three groups of teenagers in France, Israel and Palestine. Nevertheless, unlike identikit usage by police force and related sensationalism disseminated in the media of constructed banal Image reduced to a brief description. Mues uses the identikit as a subjective tool. Like a zoom lens focussing on one self to reveal one’s unique interior reflection.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
