In Centrale, an incident almost takes place between two characters waiting in a street. The woman is talking quite sociably to the man although he pays her no attention whatsoever. After a few anxious seconds, you realize he isn’t even facing her - the camera is filming two scenes at once with the aid of a cunningly angled mirror. I guess this is a lesson in legibility: how we read speech and body language in the absence of sound.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
In Centrale, an incident almost takes place between two characters waiting in a street. The woman is talking quite sociably to the man although he pays her no attention whatsoever. After a few anxious seconds, you realize he isn’t even facing her - the camera is filming two scenes at once with the aid of a cunningly angled mirror. I guess this is a lesson in legibility: how we read speech and body language in the absence of sound.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis