Miki Kratsman’s Untitled, 2007, features a continuum of still images at Abu Dis - at a provisory point of passage created in the separation wall. The point of intersection between the wall and the yard of a private home that was not destroyed or evacuated has come to function as a nonofficial and unsurveyed passageway. Men, women and children climb over the fence one after the other, carrying their belongings with them. The fragmented and broken manner in which the work is displayed serves to highlight the ridiculous dimension of this horrible situation. (Hadas Maor)
Catalogue no. 917
File: Temporally
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