In ’Fibi – Discussions with Abdel Wadud,’ Fibi Souissi (of Morrocan origin) has been filmed recounting tales of her migration to Israel, in a colourful mix of street trader French, Arabic and Hebrew banter. It also addresses the fictional life of Abdel-Wadouda. Through digital effects, Fibi has been electronically superimposed over footage from ’The Border,’ a tragicomic Syrian film popular all over the Arab world during the 1980s.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
In ’Fibi – Discussions with Abdel Wadud,’ Fibi Souissi (of Morrocan origin) has been filmed recounting tales of her migration to Israel, in a colourful mix of street trader French, Arabic and Hebrew banter. It also addresses the fictional life of Abdel-Wadouda. Through digital effects, Fibi has been electronically superimposed over footage from ’The Border,’ a tragicomic Syrian film popular all over the Arab world during the 1980s.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis