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In Yiddish Cosmos NY-based and Moscow-born artist Yevgeniy Fiks offers an alternative view on the Soviet history - by looking at it from the position of the Soviet space conquest and Soviet Jewry, he  creates a futuristic narrative where the ideas of technological development merge with the principles of Yiddish culture and reinterpretation of the figure of a Soviet refusenik and his struggle for liberty of movement.

Yevgeniy Fiks is a multidisciplinary, conceptual artist born in Moscow and based in New York City since 1994. His medium includes painting, drawing, performance, and book arts. Fiks defines himself as  "the Post-Soviet artist», one who has the responsibility to raise the proper understanding and critical reflection of Soviet history in order for Post-Soviet societies to move forward. His works explore the dialectic between Communismand "the West" and are based on historical research, usually of forgotten and unresolved Cold War narratives.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Yiddish Cosmos

In Yiddish Cosmos NY-based and Moscow-born artist Yevgeniy Fiks offers an alternative view on the Soviet history - by looking at it from the position of the Soviet space conquest and Soviet Jewry, he  creates a futuristic narrative where the ideas of technological development merge with the principles of Yiddish culture and reinterpretation of the figure of a Soviet refusenik and his struggle for liberty of movement.

Yevgeniy Fiks is a multidisciplinary, conceptual artist born in Moscow and based in New York City since 1994. His medium includes painting, drawing, performance, and book arts. Fiks defines himself as  "the Post-Soviet artist», one who has the responsibility to raise the proper understanding and critical reflection of Soviet history in order for Post-Soviet societies to move forward. His works explore the dialectic between Communismand "the West" and are based on historical research, usually of forgotten and unresolved Cold War narratives.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis