תפריט נגישות
ניגודיות עדינהניגודיות גבוהה
מונוכרום
הדגשת קישורים
חסימת אנימציה
פונט קריא
סגור
איפוס הגדרות נגישות
להורדת מודול נגישות חינם תפריט נגישותניגודיות עדינהניגודיות גבוההמונוכרוםהדגשת קישוריםחסימת אנימציהפונט קריאסגוראיפוס הגדרות נגישותלהורדת מודול נגישות חינם The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Editing: Mariana Bouhsira With the Participation of Rami Heuberger, Tal Heuberger, Ron Isaak, Dana Ivgi, Leora Kay, Yvonne Miklosh, Lenny and Michaela Bourla “1. See/Perceive To see, close your eyes. The eye listens. As far as the eye can see. (...) This vanishing of the image is at the core of what Lee Yanor captures, in the dance of bodies and landscapes, the fragile apparition of essences, the flux and its return of what ceaselessly appears and disappears and leaves, in the abstraction of the gaze, the imprint of a breath. (...) A truly choreographic composition, where Lee Yanor creates the space for these essences to transpire – a choreographer of essences, therefore.” Jean-Marc Adolph, Editor-in-chief, Mouvement, Paris.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Editing: Mariana Bouhsira With the Participation of Rami Heuberger, Tal Heuberger, Ron Isaak, Dana Ivgi, Leora Kay, Yvonne Miklosh, Lenny and Michaela Bourla “1. See/Perceive To see, close your eyes. The eye listens. As far as the eye can see. (...) This vanishing of the image is at the core of what Lee Yanor captures, in the dance of bodies and landscapes, the fragile apparition of essences, the flux and its return of what ceaselessly appears and disappears and leaves, in the abstraction of the gaze, the imprint of a breath. (...) A truly choreographic composition, where Lee Yanor creates the space for these essences to transpire – a choreographer of essences, therefore.” Jean-Marc Adolph, Editor-in-chief, Mouvement, Paris.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
