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In a darkened -1 floor of the Helena Rubinstein Pavilion of Contemporary Art in Tel Aviv Museum, installed a low and wide chess-patterned wooden stage, with a reflective pleated curtain located at its far end. 

A tuba adaptation of Erik Satie’s 1888 popular composition Gymnopédie #1, originally composed for piano, emanates from the loudspeakers set into the floor, synchronized with changing lights. 

The result is both harmonious and disharmonious, transforming the familiar into the unusual and creating a sense of expansion into a fantastic cinematic dimension.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Neither Day Nor Night

In a darkened -1 floor of the Helena Rubinstein Pavilion of Contemporary Art in Tel Aviv Museum, installed a low and wide chess-patterned wooden stage, with a reflective pleated curtain located at its far end. 

A tuba adaptation of Erik Satie’s 1888 popular composition Gymnopédie #1, originally composed for piano, emanates from the loudspeakers set into the floor, synchronized with changing lights. 

The result is both harmonious and disharmonious, transforming the familiar into the unusual and creating a sense of expansion into a fantastic cinematic dimension.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis