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During these past few years I am repeatedly asked by good friends, by casual sex partners and even by straight people I have come across - what kind of sport I do: do I go to the gym, what sets of what exercises do I do, how many times a week do I practice and whether or not I practice on a regular basis. When I say I don’t go to any gym and especially if I don’t go into too many details afterwards many protest - why is it so hard to describe? As if I have a secret magic way of keeping in shape that I try to keep to myself… In this studio piece I will present my daily practice. While doing so I will also share autobiographical information and will present a kind of movement genealogy. I would also like to address questions such as why I’ve chosen dance as a profession, why stage. The piece will be improvised and so each time a bit different. Created independently for Habait Theater Jaffa, 2018. Dramaturgy: Ran Brown

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

BN2

During these past few years I am repeatedly asked by good friends, by casual sex partners and even by straight people I have come across - what kind of sport I do: do I go to the gym, what sets of what exercises do I do, how many times a week do I practice and whether or not I practice on a regular basis. When I say I don’t go to any gym and especially if I don’t go into too many details afterwards many protest - why is it so hard to describe? As if I have a secret magic way of keeping in shape that I try to keep to myself… In this studio piece I will present my daily practice. While doing so I will also share autobiographical information and will present a kind of movement genealogy. I would also like to address questions such as why I’ve chosen dance as a profession, why stage. The piece will be improvised and so each time a bit different. Created independently for Habait Theater Jaffa, 2018. Dramaturgy: Ran Brown

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis