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Ran Slavin creates video installation, narrative and non narrative films, live video-sound improvised performances, experimental electronic music. His work has been showing in various contexts among them Taiwan International Video Art Exhibition (2014), Kunsthalle/Hannover (2013), Mediations Biennale/Poland (2012), Manifesta Satellite events/Belgium (2012), Museum on the Seam/Jerusalem (2012), Maerzmusik/Berlin (2011), Videoformes/France (2010), Petah Tikva Art Museum/Israel (2009), Tel Aviv Art Museum(2009), Netwerk Centre for Contemporary Art/Belgium (2008), Torino film festival/Italy (2007), Ars Electronica/Linz (mention of honor) (2007), Liverpool Biennial (2006), Rencontres Internationales-Madrid-Berlin-Paris (2006-2012), Venice Architecture Biennial (2004), Transmediale/Berlin (2003). Music and recordings are released on explorative labels Crónica (Portugal), False Ind (Tel Aviv), Mille Plateaux (Frankfurt-Berlin), Sub Rosa (Belgium).

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Tender Prey

Ran Slavin creates video installation, narrative and non narrative films, live video-sound improvised performances, experimental electronic music. His work has been showing in various contexts among them Taiwan International Video Art Exhibition (2014), Kunsthalle/Hannover (2013), Mediations Biennale/Poland (2012), Manifesta Satellite events/Belgium (2012), Museum on the Seam/Jerusalem (2012), Maerzmusik/Berlin (2011), Videoformes/France (2010), Petah Tikva Art Museum/Israel (2009), Tel Aviv Art Museum(2009), Netwerk Centre for Contemporary Art/Belgium (2008), Torino film festival/Italy (2007), Ars Electronica/Linz (mention of honor) (2007), Liverpool Biennial (2006), Rencontres Internationales-Madrid-Berlin-Paris (2006-2012), Venice Architecture Biennial (2004), Transmediale/Berlin (2003). Music and recordings are released on explorative labels Crónica (Portugal), False Ind (Tel Aviv), Mille Plateaux (Frankfurt-Berlin), Sub Rosa (Belgium).

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis