A “dream noir” video shot in Alenbi Street Tel Aviv featuring a vandalized commercial sign, purple hooded mannequins in a shop window and passers by. It focuses on a fictitious memory of a place. A spiral into a moment in time. As though the ‘place’ – Alenbi street in Tel Aviv, could resonate its own dark ethereal memory of a bad moment that took place there. The only eternal witnesses are the temporal mannequins in a store front across the street and a graffiti washed poster at a bus stop. The presence of objects, as in a dream is radiant and omnipresent.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
A “dream noir” video shot in Alenbi Street Tel Aviv featuring a vandalized commercial sign, purple hooded mannequins in a shop window and passers by. It focuses on a fictitious memory of a place. A spiral into a moment in time. As though the ‘place’ – Alenbi street in Tel Aviv, could resonate its own dark ethereal memory of a bad moment that took place there. The only eternal witnesses are the temporal mannequins in a store front across the street and a graffiti washed poster at a bus stop. The presence of objects, as in a dream is radiant and omnipresent.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis