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Directed by Dan Olman, Sarah Price, and Chris Smith. A comedic documentary which follows The Yes Men, a small group of prankster activists, as they gain world-wide notoriety for impersonating the World Trade Organization on television and at business conferences around the world. The film begins when two members of The Yes Men, Andy and Mike, set up a website that mimics the World Trade Organization’s--and it’s mistaken for the real thing. They play along with the ruse and soon find themselves invited to important functions as WTO representatives. Delighted to represent the organization they politically oppose, Andy and Mike don thrift-store suits and set out to shock unwitting audiences with darkly comic satire that highlights the worst aspects of global free trade. English Catalogue no. 784 File: Free Radicals Activism America Crime Documentary Humor Identity Intervention Politics Capitalism Pop culture Globalization FREE RADICALS Mass Media

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

The Yes Men; A Documentary

Directed by Dan Olman, Sarah Price, and Chris Smith. A comedic documentary which follows The Yes Men, a small group of prankster activists, as they gain world-wide notoriety for impersonating the World Trade Organization on television and at business conferences around the world. The film begins when two members of The Yes Men, Andy and Mike, set up a website that mimics the World Trade Organization’s--and it’s mistaken for the real thing. They play along with the ruse and soon find themselves invited to important functions as WTO representatives. Delighted to represent the organization they politically oppose, Andy and Mike don thrift-store suits and set out to shock unwitting audiences with darkly comic satire that highlights the worst aspects of global free trade. English Catalogue no. 784 File: Free Radicals Activism America Crime Documentary Humor Identity Intervention Politics Capitalism Pop culture Globalization FREE RADICALS Mass Media

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

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