The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

The Confessions of Roee Rosen begins with the artist’s announcement that he is about to die. He disavows a career replete with lies, scandals, and fake identities. However, his confessions are delivered by three surrogates – all foreign female workers residing in Israel – who deliver the monologues in Hebrew, a language they do not speak. Their monologues are based on Rosen’s life but are simultaneously plausible as statements a foreign worker might make. Tackling such charged themes as the exploitative representation of the Holocaust or scatological fantasies, the confessions constitute a peculiar speech act in which the speakers ignore what they say.

Cooperation         Language         Minorities         Power         Puppet         Israel         Confession

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis