Water W Woman, Melon M man. And behind every scene there always is another scene... The only people who pick watermelons in Israel are men coming from an Arab-Israeli village called Manda, near Nazareth. Why? They say they are professionals, very much stronger... and have been the ones picking watermelons for decades. [The first mention of Watermelons in the area was in Egypt 5000 years ago]. The only way to look at landscape without political blindness/barriers/guilt and also without romanticism is looking down at the earth/ the sea/the street/ones feet with the camera, facing down. Like looking at a map, and at a text. "Working Title WM" is a wake to the monumental work 'DeadSee' of 2005, a work where some 500 watermelons were composed, linked and juxtaposed in a different gravity – metaphoric, dead and sterile. In "WORKING TITLE WM" the fruit is removed from its growth stem, lined up, and collected. In the diptych I show several men throwing individually one hidden melon at a time, passing the heavy fruit from one to the other - they are many pickers and the green explosive melon is removed "one at a time".
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
Water W Woman, Melon M man. And behind every scene there always is another scene... The only people who pick watermelons in Israel are men coming from an Arab-Israeli village called Manda, near Nazareth. Why? They say they are professionals, very much stronger... and have been the ones picking watermelons for decades. [The first mention of Watermelons in the area was in Egypt 5000 years ago]. The only way to look at landscape without political blindness/barriers/guilt and also without romanticism is looking down at the earth/ the sea/the street/ones feet with the camera, facing down. Like looking at a map, and at a text. "Working Title WM" is a wake to the monumental work 'DeadSee' of 2005, a work where some 500 watermelons were composed, linked and juxtaposed in a different gravity – metaphoric, dead and sterile. In "WORKING TITLE WM" the fruit is removed from its growth stem, lined up, and collected. In the diptych I show several men throwing individually one hidden melon at a time, passing the heavy fruit from one to the other - they are many pickers and the green explosive melon is removed "one at a time".
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis