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The simple plastic intervention in the form of black lines over the TV screen during the broadcasting of TV Zagreb’s ‘economic propaganda program’ is a critical interpretation of the relations between the sender of TV messages (the powers-that-be) and the recipients (the disenfranchised public).  Information ‘wrapped’ in such a way is the only way TV messages can be re-designed from the point of view of today’s TV viewer. 

Power         Appropriation         Black & white         Television         Mass Media

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Sweet Violence

The simple plastic intervention in the form of black lines over the TV screen during the broadcasting of TV Zagreb’s ‘economic propaganda program’ is a critical interpretation of the relations between the sender of TV messages (the powers-that-be) and the recipients (the disenfranchised public).  Information ‘wrapped’ in such a way is the only way TV messages can be re-designed from the point of view of today’s TV viewer. 

Power         Appropriation         Black & white         Television         Mass Media

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis