Dor Guez's 2-channel video installation comprises the second of the five-part project, "The Sick Man of Europe", a term taken from the end of the 19th century to describe the collapse of the Ottoman Empire. Guez uses it to examine the military history of several states in the Middle East through the stories of artists who were recruited to the army and took part in various 20th century wars. The wars left their mark on the artists, who stopped creating work once they became soldiers.
The video, "The Sick Man of Europe: The Architect", focuses on the story of Kemal P., an architecture student who was recruited to the Turkish army just after he graduated. A two-channel video focuses on 13 of Kemal's photographs from 1939 that document the Turkish Republic's Victory Day Parade in Ankara in August of the same year, and the funeral of the secularizing republic leader, Kemal Ataturk, that took place a few weeks later. By photographing buildings, monuments, and squares, Kemal P. follows the architectural changes that took place in Turkey through its transformation from an empire to a republic, from Ottoman to Turkish. Parallel to documenting the historic evolution of Turkey, a story of friendship unfolds in the photographs between Kemal and Muhammad, both revealed as great admirers of Ataturk and the new, secular Turkey.
The full installation also includes photographs from Kemal's private collection, including thousands of photos of uniformed men (i.e. soldiers, policemen, scouts) in military parades, army camps, field training, studio poses, and group, couple, and individual portraits.
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
