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The title of the work, Pendant Letters, derives from a literal translation of the Arabic maalek, a term designating the Judeo-Arabic script used among Jews in the Arab world. One of the videos (right side) features the manuscript of a play written in the 1950's in pendant lettering, by an amateur playwright by the name of Shahadani. Shahadani emigrated from Tunis to Israel in 1951, a time of massive Jewish immigration from North Africa. A parallel video (right side) channel presents the story of Shahadani's wife, Zina, who during the 1930's and 1940's was a famous actress in the Jewish theater in Tunis. In Israel the family settled in Lod, in an 'abandoned' Arab house rented from the Jewish Agency. It is there that they started a Jewish-Arab theater company of some 30 actors. Shahadani wrote plays in Judeo-Arabic dialect, with plots based on Biblical stories of Jews in minoritary, compromising circumstances such as Joseph and the Coat of Many Colours or the Book of Esther. He also composed the music and directed the productions, while Zina, now 97, acted as principal actress, sewed costumes and designed stage sets. Their Jewish-Tunisian theater kept going for a number of years, helping them to preserve their Arab heritage. But with no exterior funding it ran into difficulties, and in 1959 had to close down 

2-Channel Video Installation

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Pendant Letters

The title of the work, Pendant Letters, derives from a literal translation of the Arabic maalek, a term designating the Judeo-Arabic script used among Jews in the Arab world. One of the videos (right side) features the manuscript of a play written in the 1950's in pendant lettering, by an amateur playwright by the name of Shahadani. Shahadani emigrated from Tunis to Israel in 1951, a time of massive Jewish immigration from North Africa. A parallel video (right side) channel presents the story of Shahadani's wife, Zina, who during the 1930's and 1940's was a famous actress in the Jewish theater in Tunis. In Israel the family settled in Lod, in an 'abandoned' Arab house rented from the Jewish Agency. It is there that they started a Jewish-Arab theater company of some 30 actors. Shahadani wrote plays in Judeo-Arabic dialect, with plots based on Biblical stories of Jews in minoritary, compromising circumstances such as Joseph and the Coat of Many Colours or the Book of Esther. He also composed the music and directed the productions, while Zina, now 97, acted as principal actress, sewed costumes and designed stage sets. Their Jewish-Tunisian theater kept going for a number of years, helping them to preserve their Arab heritage. But with no exterior funding it ran into difficulties, and in 1959 had to close down 

2-Channel Video Installation

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis