In a two-dimensional dystopian landscape of deserted half-built houses in Albania, a new mythology is in the making. The filmmakers, perhaps a contemporary incarnation of Goldilocks from the tale of the Three Bears, invade the houses and occupy their empty, liminal space and its missing furniture. The local community comments in song and speech about the new arrivals and their enterprise of an immigration in an opposite direction, from the full to the empty, from excess to lack.
Housewarming was produced by La chose à trois jambes, in co-production with the Centre de l’audiovisuel à Bruxelles and ORAFILM (Albania) | Supported by The center for cinema and audiovisual of Wallonie-Bruxelles federation, The Flemish Film Fund (VAF), Ostrovsky Family Fund, and Argos - center for art ad media. With the help of Netwerk- centre for contemporary art | The project has participated in the SIC - sound image culture Workshop, 2014
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
In a two-dimensional dystopian landscape of deserted half-built houses in Albania, a new mythology is in the making. The filmmakers, perhaps a contemporary incarnation of Goldilocks from the tale of the Three Bears, invade the houses and occupy their empty, liminal space and its missing furniture. The local community comments in song and speech about the new arrivals and their enterprise of an immigration in an opposite direction, from the full to the empty, from excess to lack.
Housewarming was produced by La chose à trois jambes, in co-production with the Centre de l’audiovisuel à Bruxelles and ORAFILM (Albania) | Supported by The center for cinema and audiovisual of Wallonie-Bruxelles federation, The Flemish Film Fund (VAF), Ostrovsky Family Fund, and Argos - center for art ad media. With the help of Netwerk- centre for contemporary art | The project has participated in the SIC - sound image culture Workshop, 2014
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis