In the work, Rosenwasser, a small room, all closed up, dwells in space. It has one entrance, and in its midst a golden ball is positioned. The wall paint is mixed with rose-water, and the scent becomes part of the tiny space’s fabric, enveloping the viewer.

Kashi uses the scent of rose-water extract as a way of inspecting the affinity between the semantic, verbal approach to material, and the possibilities of feeling it. Scent is a carrier of memory, but its changeable verbal definition stimulates diverse variations to the memory carried by it