David Reeb usually paints, but this time he will present a four minute video art piece, Neon Lights, in which he tries to take a visual and verbal stand, composed of varied and diverted fragments. “Actually,” says Reeb, ”it was a chance for me to study video art, and the film is also about the learning process. While working on it I have realized that the subject of shame can be perceived in thousands of ways. I focused mainly on two aspects: the shame of inactivity and the collective shame of those who live on top of ruins. Among other places I photographed in my studio, on my rooftop, and in the Galilee. I photographed people talking. I hope it will not be too boring.”
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
David Reeb usually paints, but this time he will present a four minute video art piece, Neon Lights, in which he tries to take a visual and verbal stand, composed of varied and diverted fragments. “Actually,” says Reeb, ”it was a chance for me to study video art, and the film is also about the learning process. While working on it I have realized that the subject of shame can be perceived in thousands of ways. I focused mainly on two aspects: the shame of inactivity and the collective shame of those who live on top of ruins. Among other places I photographed in my studio, on my rooftop, and in the Galilee. I photographed people talking. I hope it will not be too boring.”
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis