Ashraf Fuahri’s Untitled installation tries to inspect the subject of "shame" through two perspectives: the private and the collective. In this piece, explains Fuarhi, "I show the photograph of my grandparents and other family members who experienced the Naqba (the Arabic name for the 1948 war) in person. The piece also includes a kitsch pink chair which belongs to a make-up table, and a double framed mirror surrounded with light-bulbs which generate a perspective of depth
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