Exhibitions & Projects
Archives
Advanced Search

Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.

 

 

Cinematography by: Johan Phillips & Henry Moore Selder

Sound by: Mario Adamsson

Photographer: Johanna Löwenhamn

 

 

Exhibitions & Projects
Archives

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Project for a Revolution

Billing’s best-known work, Project for a Revolution, takes its inspiration from the opening sequence of Michaelangelo Antonioni’s Zabriskie Point (1969). By removing from her video version all the dialogue, passion and action, she delineates a stagnant time during which the protagonists wait for something to happen, without providing any clues as to what this might be.

 

 

Cinematography by: Johan Phillips & Henry Moore Selder

Sound by: Mario Adamsson

Photographer: Johanna Löwenhamn

 

 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis