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Neil Beloufa’s science fiction piece, Kempinski The Future in Present Tense, offers an interesting view. Filmed in Mali, it explores both the future and the mysteries of the present. Beloufa confronts us with prejudice about progress and backwardness; advanced technology as we know it today appears backwards in comparison to the one presented in the video; the new or alien technology presented to us on film is one of telepathy or telethought—an image conveyed via thought, rather than through television, for example.

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