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Einat Amir is directing her lover according to a photo of Sadie Coles, a London Gallerist, that is hung on the wall. She is changing her outfit, styling her hair and changing her posture, using an authoritative voice, in Hebrew. The power relations in the art world that are portrayed by the picture of the Gallerist, are the ground for a much wider interpretation of desire and role play, power and weakness, and cultural mixtures.

Power         Relationships         Appropriation         Art         Eroticism

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

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Einat Amir is directing her lover according to a photo of Sadie Coles, a London Gallerist, that is hung on the wall. She is changing her outfit, styling her hair and changing her posture, using an authoritative voice, in Hebrew. The power relations in the art world that are portrayed by the picture of the Gallerist, are the ground for a much wider interpretation of desire and role play, power and weakness, and cultural mixtures.

Power         Relationships         Appropriation         Art         Eroticism

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis