What began in​ "Habitat" as a journey to examine the Jewish character and its place in the world diverges in this work into an obsession with Henech Kon, the Polish-born composer of the movie "Dybbuk," which has now become a symbol of an extinct artistic community. Kon, a relatively anonymous figure, becomes a personal dybbuk that compels Latzman to recreate him and his music within this video. Latzman wanders Warsaw looking for leads of Kon and collaborates with a local musician, Raphael Roginski who then remakes and perform Kon’s piece. And so, a pseudoscientific study of Jewish existence transforms into the artist's obsession with creating a body of work, while reflecting that which cannot be studied.