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The work shows a view of south Tel Aviv near the New Central Bus Station [west gazing east]. An urban roof top landscape. From a window in a side wall of an old building I am seen painting with a 'roller' on a stick, a large growing black mark, around the windows sill. I am working while standing inside the house; my body, arms, and long roller are exiting this small window, which is in the center of the frame. Proceeding slowly -- like a dark and manual sun dial -- this act of blackening - is a window into some the memory of this place. A large Billboard dominates the lower left side of the frame. It originally carried a cellular "Orange" advertisement slogan. I changed it on the editing table. I made a advertisement making reference to a song about a town that is burning [the original song was about a 1938 pogrom]. In the work the text reads: 'There is a fire brother, a fire'. Sound by Yarden Erez.

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 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

Salame

The work shows a view of south Tel Aviv near the New Central Bus Station [west gazing east]. An urban roof top landscape. From a window in a side wall of an old building I am seen painting with a 'roller' on a stick, a large growing black mark, around the windows sill. I am working while standing inside the house; my body, arms, and long roller are exiting this small window, which is in the center of the frame. Proceeding slowly -- like a dark and manual sun dial -- this act of blackening - is a window into some the memory of this place. A large Billboard dominates the lower left side of the frame. It originally carried a cellular "Orange" advertisement slogan. I changed it on the editing table. I made a advertisement making reference to a song about a town that is burning [the original song was about a 1938 pogrom]. In the work the text reads: 'There is a fire brother, a fire'. Sound by Yarden Erez.

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis
 

 The CDA's archives are operating with the support of the Ostrovsky Family Fund and Artis